Reread your script to find parts that don’t make sense. Read your script out loud so it’s easier to find your mistakes. Focus on bigger issues first, such as confusing passages, unclear motivations, and themes that don’t quite land how you want them to. As you go through the script, mark or highlight the areas you want to revise. We pull out to reveal more and more rabbits in cages stacked one on top of the other. DAY We look out the rear window past stick figure stickers depicting father, mother, daughter and son. The Wilson’s car travels through a rural road where woods and beach meet. WILSON’S BAYSIDE HOUSE. Read, review and discuss the entire Get Out movie script by Jordan Peele on Scripts.com. The STANDS4 Network. Collection Edit Watch PDF Buy R Year: 2017 104 min $175,428,355 Website 5,253 Views. Next » I appeal to you therefore, brothers, by the mercies of.
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Now I’m walking through creepy confusing-ass suburbs. They laugh ANDRE (CONT’D) I’m serious though. I’m out here like a sore thumb and shit. CRYSTAL (O.S.) Stay put; we’ll come get you. ANDRE No, I’m like 10 minutes away now. I need a drink, but I’m good. I’ll make it up to you. Get Out, written and directed by Jordan Peele Get Out is acclaimed as one of the best films of 2017, nominated for Golden Globes and four Oscars In addition, some of the most important ones at that: Best Motion Picture of the Year, Best Performance by an Actor in a Leading Role, Best Achievement in Directing and Best Original Screenplay. In my opinion, there are small chances for the film.
That kid right there?
That's me, Ariana Berlin.
Gymnastics is my life.
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I've been doing it since I
was threeyears old and I've
never looked back.
That's my best friend Isla.
She and I used to choreograph
our future Olympic
routines in our hallways.
What? Normal
kids don't do that?
My coachesalways said
that sometimes you have to fall
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before you can fly.
I fell a lot.
I trained a lot.
And right now I'm in the
middle of the most important
level ten meet of my life.
Going too fast?
Let me step back.
You gotta get up Whoa
You gotta get up
Ladies and gentlemen, thank
you to UCLA for hosting this
year's level ten regional meet.
The opening heat will begin in
fifteen minutes.
You gotta get up Whoa
You gotta get up
You gotta get up Whoa
You gotta get up
Good job.
We've got this.
No kidding. We're toast.
Just breathe.
It's just, if I don't place...
If you don't place you can
just ask to borrow one of his
Olympic medals. What
does he have, like three?
Four, actually.
See, you'll be getting off
easy. Now if I don't qualify, my
parents will
pep-talk me to death.
Oh I'm sure it's tough living
with all their love and support.
Forget about your
Dad. Today is about you.
Nervous?
Nervous I might kick you into the
foam pit if you ask me that again.
Here, I got you
something for good luck.
Aw. Did you splurge at the
prize machine in the lobby?
Yeah, a whole dollar.
I love it.
You've got this.
Okay, okay! Let's do this.
Hey, ladies! Quit joking around.
The stakes are even higher
than what we thought today.
Why?
If you ever want to go to
UCLA, the woman who holds the
keys to your future is standing
right over there.
That's Valorie Kondos-Field,
head coach of the
six-time Champion UCLA
Gymnastics Team.
Up next on the uneven
bars, Isla Steponchev from Elite
Gymnastics.
That was amazing.
Thanks.
And Isla scores a 9.85.
You were fantastic.
It was okay. Wasn't perfect.
You'd only be satisfied with
twenty out of ten.
Up next Ariana Berlin.
Which is what I'm about to get.
I feel so good
I feel, I feel
, I feel so good
I feel
I feel so good
I feel
I feel so good
I ain't trusting tonight
nothing on my mind on my mind
Why you wasting your time
Let's get on a high
stay with me there
Up next ArianaBerlin from
Elite Gymnastics in San Diego.
I feel, I feel, I feel
Hold, extend, twist, focus
on the catch.
Flip, toes up, dismount, stick.
Who's that on the bars?
Ariana Berlin from San Diego.
Yes!
Ariana scores a
9.95 on the bars.
Sweetheart! You put on
quite the show
for the college coaches.
You think they noticed me?
Noticed you? Are you kidding
me? Our phone's gonna be ringing
off the hook tomorrow.
Oh we'll know in a few days.
They said they'd have the final
results by Friday.
Hey Ariana. Wow, you
nailed it out there.
Thanks, you did great, too.
You're totally going
to qualify for sure.
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The way you stuck that
landing on bars. Wow.
I was jealous.
Don't be. This is just a
Level 10 meet. There's still a
long way to go.
Could you imagine what
it would be like to make the
Olympics?
It would be so unbelievable,
but I doubt it's something I'll
ever get to experience.
Me neither. I
wish I could go.
Come on, you gotta be more
positive. You never know what
life is going to
throw at you, right?
Yeah.
Yeah.
Okay, remember this trip?
That girl who peed her pants on
the bus ride home?
What? We were six and I
had way too much water.
Okay. I'm so glad your Dad
let you come over.
How was he about your score?
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He said it was acceptable.
We were huge fans of writer-director Jordan Peele’s directorial debut Get Out, so it shouldn’t come as a surprise that we also loved his recent follow-up, Us.
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Unlike Get Out, which was equal parts horror movie and caustic social satire, Us’s script focuses primarily on genre thrills. That’s not to say that the film is devoid of commentary, mind you. It’s just that the themes and metaphors are less transparent. While Get Out took its influences from The Stepford Wives and its message was a condemnation of a very specific type of racism, Us has more in common with horror classics like A Nightmare on Elm Street 2 and Night of the Living Dead: The social commentary exists, but it’s obliquely referenced and open to interpretation (though we definitely have our theories). But the primary driving force instead comes from character, plot, and the typical set pieces inherent in the genre.
For any horror movie, the suspense and tension is contingent on the audience caring about the characters. Lupita N’yongo carries the movie, crafting a performance that is equal parts intense, fearful, and campy. Her character, Adelaide Wilson, spends the movie defending the family she built from evil doppelgängers of themselves who want to kill and replace them. The opening scenes of the script establishes the Wilsons as a normal American family and does its best to have the audience empathize with them. A childhood trauma also paints Adelaide as an likable figure. The script then systematically places each family in mortal danger in a series of expertly executed set pieces. The tension doesn’t let up until the film’s final moments.
In terms of structure and genre, there are few better scripts out there than Us. It’s a perfect a sophomore feature, and we eagerly await whatever Peele cooks up next.